23 October 2015 — 20 December 2015 Arachnid Orchestra. Jam Sessions at NTU CCA Singapore is a complete new production by Tomás Saraceno that brings his long-term research on spider […]

LAUNCH NIGHT, FRIDAY 25 SEPTEMBER Jacob Kirkegaard with Call & Response present: London Subterraneous Friday 25th September 6pm—9pm Artist Jacob Kirkegaard and the UK’s only independent sound art space Call […]

Tonight at Modern Art Oxford…. Serena Korda’s Ceramic Jugs are […]

NOISE FOR NEPAL is a compilation that features various extreme artist/bands from all around the world with genre ranging from Death Metal – Grindcore – Black Metal – Experimental Noise. […]

30 May – 6 June 2015 FRI ART CENTRE D’ART […]

Saturday 2 May 2015, 2-8pm The Guesthouse, St. Anne’s Church, Shandon, Cork Tickets €5 sonicvigil@ireland.com For the 9th year running, The Guesthouse presents SONIC VIGIL, a marathon of new and […]

[4/25 & 4/26] Kill The Silence Festival 2015 | Hong Kong !silenceisnotanoption! This is the 3rd edition of Kill The Silence Festival. This year, we are taking the festival on […]

Regler (Mattin and Anders Brygelsson): regel#4 (Harsh Noise wall) Audio CD, 6 panels digipak 30 minutes Release date: April 2015 Co-release between Rapid Moment, Pilgrim Talk, At War With False […]

noisiV  is  pleased  to  announce  the online release of their latest sonic endeavours  –  Moribundus  Lumen  Solis  (wish  you  were  here). A  first  collaboration  between  noisiV  and  IP.  Combining  digital  […]

audio zine / collection of vagrant sonic fictions curated by Dane Sutherland for the Satellites Programme Collective Gallery, Edinburgh The rubbled architecture of the semantic apocalypse is a jambient meshwork […]

To anyone. (sound of a train going past) (a distant radio) ( vroom of an engine). Holy dynamite for half an hour.  Smashing the computer against the wall, and I […]

Daisy Dixon’s performances and sound installations are hymns, rituals and revealings of “The Drone”, an audible manifestation of the basis of being and existence, as well as the ultimate reduction […]

In the midst of this tentacular novum of brandscapes, baroque managerialism, and the moribund political economy of peer production, curatorial protocol has emerged as a contemporary technology of speculative foreclosure […]